Модераторы: Fedula, NKL, Frost, c0balt
Merlin писал(а):Как-то мне из тру-EBM'ма рекомендовали Nitzer Ebb. Достал, послушал... Ну, по сравнению с тем, что я слышал до этого из EBM'ма, Nitzer Ebb как-то и тяжело назвать EBM'ом. Попсово как-то...
Или я чего-то не понимаю? Разьясните...
Merlin писал(а):Как-то мне из тру-EBM'ма рекомендовали Nitzer Ebb. Достал, послушал... Ну, по сравнению с тем, что я слышал до этого из EBM'ма, Nitzer Ebb как-то и тяжело назвать EBM'ом. Попсово как-то...
Или я чего-то не понимаю? Разьясните...
[icejesus] писал(а):harsh electro/industrial/ebm:
... punto omega ...
punto-omega.net писал(а):Punto Omega was founded in 2002 in Buenos Aires / ARGENTINA, after Pilgrim (programming, vocals and concepts) and Viator (lyrics and concepts) who worked together in other musical projects before, decided to form a band of their own combining EBM and Darkwave with orchestral and martial elements...
Romas писал(а):Какой альбом?
Merlin писал(а):Romas писал(а):Какой альбом?
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Big Hit [1995]. Если это не самый лучший альбом для восприятия их музыки, посоветуйте самый лучший (на ваше ИМХО).
NKL писал(а):Я лично так вижу так называемый "олд-скул" ЕВМ, теперь твоя очередь.
NKL писал(а):...крутерии...ЕВМ...
NKL писал(а):Ну значит я прав, у Найтзера подпадает лишь That Total Age.
nitzer ebb - biography писал(а):With an unusual name, Teutonic beats and aggressive sound, it is often assumed that Nitzer Ebb originated within the German techno scene, but the truth of the matter is that this trio hailed from the UK, Chelmsford in Essex to be precise. Formed in 1982 by school friends Douglas McCarthy [Lead vocals, guitar], Vaughn 'Bon' Harris [vocals, percussion, guitars] and David Gooday, [percussion], Nitzer Ebb were influenced by the harder sounds of the early techno pop scene, distilling elements from several other genres too until they had created their own identifiable sound, characterised by extremely powerful rhythms, minimal sequenced hooklines and fierce, chanted lyrics.
From staging small shows in their local area, Nitzer Ebb's infectious mix of pounding beats, militaristic imagery, angst and anger was soon filling alternative dancefloors across the UK, leading to live dates in London where the group caught the attention of PWL producer Phil Harding. Realising the trio's potential he helped them establish the label Power Of Voice Communications, producing and releasing their debut single "Isn't It Funny How Your Body Works?"(1985).
The Nitzer Ebb sound was one of an impassioned techno rage, captured perfectly on three further singles "Warsaw Ghetto"(1985), "Warsaw Ghetto Remixes"(1986) and "Let Your Body Learn"(1986) which all raised their profile considerably to the extent that in Europe they were soon regarded as the leading exponents of the new Hard Beat or Electronic Body Music (EBM) scene.
Taking Phil Harding with them, Nitzer Ebb signed to Mute in November 1986 and released the extremely brutal beats of "Murderous"(1986) followed by the 'International Funk Aggression' of "Let Your Body Learn" (1987) a smash hit in the clubs of New York, whilst the follow-up "Join In The Chant"(1987) was an early and somewhat unlikely hit on the UK acid house scene. Their debut album "That Total Age" (1987) captured the essence of Nitzer Ebb in a perfectly formed package, its combination of controlled anger and irresistible rhythm that becoming for many the most definitive example of the Nitzer Ebb sound.
Embarking on a worldwide tour they discovered that their energetic live show was also just what dance music fans had been waiting for, their popularity on the Spanish coast alone resulting in a demand for 3 gigs a night.
This infectious sound attracted the attention of fellow Essex lads and label mates Depeche Mode who invited Nitzer Ebb to accompany them on the lengthy European leg of a highly successful world tour, exposing them to exactly the right audience for their sound and image. Returning to the studio following the tour theycompleted their next album "Belief" (1989) as a duo following the departure of David Gooday and ditching their militaristic image in favour of a more subtle approach to their output. Regular producer Phil Harding also left for pastures new and was replaced by Mark "Flood' Ellis, who in beginning a long relationship with McCarthy and Harris was also instrumental in steering them towards a more refined sound. With Nitzer Ebb's own world tour in the pipeline the duo recruited Julian Beeston to assist them with Beeston becoming a regular contributor both on and off stage.
Their third album "Showtime"(1990) revealed a less confrontational sound and an accessibility that particularly appealed to audiences in the USA. The single "Fun To Be Had"(1990) even received a groovy remix by grandfather of funk George Clinton and reached number 2 in the US dance charts.
By the time Nitzer Ebb released "Ebbhead" (1991) even a previously reluctant music press were warming to their sound. On this release Nitzer Ebb were slower and more orchestrated, mixing their hard, industrial beat with raw guitar samples and more fully developed songs. Promoting the album with a global tour that took them from the southern states of the USA to appreciative audiences in Siberia, Nitzer Ebb were enjoying the fruits of their truly international appeal.
By the time that their fifth album "Big Hit" (1995) arrived, Nitzer Ebb had been through another metamorphosis. Gone was the techno rage that had become their signature, being replaced instead with a wider use of real instruments, particularly guitars and drums. The songs too were more complex, dividing Nitzer Ebb's fan base between those who simply wanted them to go on making Electronic Body Music and those who supported their desire to develop...
Merlin писал(а):![]()
Big Hit [1995]. Если это не самый лучший альбом для восприятия их музыки, посоветуйте самый лучший (на ваше ИМХО).
[icejesus] писал(а):Merlin писал(а):Merlin писал(а):Какой альбом?Romas писал(а):Как-то мне из тру-EBM'ма рекомендовали Nitzer Ebb. Достал, послушал... Ну, по сравнению с тем, что я слышал до этого из EBM'ма, Nitzer Ebb как-то и тяжело назвать EBM'ом. Попсово как-то...
Или я чего-то не понимаю? Разьясните...
![]()
Big Hit [1995]. Если это не самый лучший альбом для восприятия их музыки, посоветуйте самый лучший (на ваше ИМХО).
that total age + belief
[icejesus] писал(а):свою мессагу почикал
вина мерлина
Wrexham писал(а):[icejesus] писал(а):свою мессагу почикал
вина мерлина
Мерин жжот!!!!!!
Merlin писал(а):...подскажите ресурсы, где можно достать.
Roman писал(а):[icejesus] писал(а):www.ebay.com
Извиняюсь за оффтоп:
http://www.smex.ru/jokeview64291.html
c0balt писал(а):Обожаю этот ресурс! Там даже в историях без темы моя есть)
Roman писал(а):c0balt писал(а):Обожаю этот ресурс! Там даже в историях без темы моя есть)
Нашел, прочитал про парик, прикольно, представляю лицо того водителя
c0balt писал(а):Roman писал(а):c0balt писал(а):Обожаю этот ресурс! Там даже в историях без темы моя есть)
Нашел, прочитал про парик, прикольно, представляю лицо того водителя
Это непередаваемо! =) Камрад Левон есть на фотках с концерта Лайбаха, посмори, мысленно надень на него парик-карэ и посмейся)))
BEK писал(а):По мне, так Nitzer Ebb поинтереснее фронтов будут.
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